david mayer�s career and background is marked by a desire to keep moving and experiencing new perspectives. having finally settled in berlin, the german dj and producer has built up an enviously diverse back catalogue on labels such as connected frontline, objektivity, gruuv, audiomatique and keinemusik. with his first release on acid pauli and nico stojan�s ouie label, mayer brings his trademark groove to the fore once more. �the call� is a mid tempo chugger built around a kick, clap and 808 blip, before a more organic groove develops. the slowed down chants and wigged out synth line take the vibe into afro cosmic territory, without losing the original energy. �sooner� is a little more urgent - a crisp, forward leaning rhythm and a deep, subby bass lead the way, before another frazzled synthesiser takes us on a melodic walkabout. �black queen� is another example of mayer�s slick drum programming, keeping things zesty on the dance floor but with acres of space to lose yourself in.

the 3rd album from eric b. & rakim, originally released in 1990, now back on 180 gram double vinyl with download code included.

the 4th album from eric b. & rakim, originally released in 1992, now back on 180 gram double vinyl with download code included.

this hampshire & foat project should not come as too much of a surprise to those familiar withgreg& warren s music, influenced heavily by not just jazz but the library sound of the 60s and 70s along with film soundtracks from the same golden era.greg& warren are avid collectors of this music,gregsends me links night and day to lps he has picked up digging on his travels. this constant search sends him down new musical pathways and often sparks a whole new concepts for projects. warren andgregare both fiercely creative talented individuals which means we have to keep them working, a challenge for us all, but the music rewards the effort many times over. we had talked for a long time about doing a library style lp (somethinggregis very passionate about) so during different recording sessionsgreg& warren started laying down various tracks with a view to the lp we have here. side one is 5 tracks in very distinct styles, musical paintings for the big screen. the vast sound of the japanese influenced jasmine, the spaghetti western melancholy of mariposa lily, the call to action that is antonio s theme, the breezy vintage sports car in the sun that coastal drivepaints, and lost in nostalgia, a late night poirotesk piece. side 2 is a classic library suite, whichgregdescribes as a detective s theme with different variations on the motifs.

the 2011 album from stephen marley as double vinyl in gatefold sleeve.

only one month after the release of their first ep on mt on may 2018, vactrol park continue surprising, this time with a full lp in the shape of �music from the luminous void�.the album sees vp delve much deeper into more atmospheric realms. using modular synths and unexpected drum machine sequencing they leave the 4x4 beats behind in favor of off-world rhythms and ever growing bass. &#8232,,,,, starting with drops�s high frequency tension, laying on top of those heavy kick drums it keeps on growing and growing. from there it moves to the �end of the party� groove that is novikov�s notation, and its trippy monotonic rhythm. the a-side ends with the heavy sampled ambient track macbeth, bringing forward that mesmerizing flute solo by italian artist luca spagnoletti yet succeeding in avoiding the kitsch, and with a touch of class. &#8232,,,,,&#8232,,,,,the b-side delves even deeper into ambience and atmospheric muzak. starting with bells, that features again spagnoletti on flute. then we get into the real gems of the album - anstruther and glove. the first is a pure trip into modular psychedelia and repetitive jazzy-like drum rhythms, creating tension right from the start and plays with it throughout the track before decaying slowly into glove, which is in sense both the catharsis and the decompression session of the album. like a 2018 version of vangelis, this track�s soundscape will keep you dreaming with your eyes closed long after the album ends. &#8232,,,,,

redshape stars in another deep tripping, sci-fi odyssey on his imprint for present 16. opening the gate reveals a slow but surely building burner that is classic redshape, ripping the space-time continuum fabric apart at it s spoken word climax narrating of solar winds, cosmic ray particles and the speed of light. heed the track s unmistakable call and take flight on an interplanetary elevator with parched, bone-dry percussion, twisting lines with propulsive bass and growls that rumble underneath, enveloping you in an air cabin of jedi-level sound design prowess. the ride truly begins next with voyager. it s all aboard a throbbing deep low end countered by floating, melancholic sustained chords with twinkling bleeps and fading bloops that light up like the star-studded milky way. frantic hi hats and modulated percussion work keep riders on the edge of their seat through this fantasy space-age joyride at warp speed.

recorded in philadelphia in 1969, the deirdre wilson tabac�s sole album is a beautiful blend of funk, jazz and soulful pop. possessing the complex grooves, thrilling breaks and ethereal weirdness that the rotary connection pedalled so brilliantly, the lp failed to connect with audiences upon its original release.
in the decades since, it has deservedly attracted a considerable cult following. however, almost inevitably, it has become increasingly tricky to pick up a copy in good condition for anything less than eye-watering sums. as such, we�re delighted to present the first officially licensed vinyl reissue of this undoubted masterpiece of freaky funk-rock, limited to just 500 copies.

we are happy to welcome two new artists to rose records on our first real split record. rose 12 brings two pieces from chassé. the duo from belgium adds round bass and piano to send two deep and warm tracks into the game. on the other side, which is rose 13, you find two more crazy tracks which unite funky vocals with guitars � both from gledd a recent nice and surprising discovery for us from italy. we feel that the combination of both sides represent rose perfectly � a deep and funky mix.

the legion (molecules, chucky smash & cee-low) is back with some more bronx rawness for your ears! following the success of their lost tapes album from 2014, the re-release of the underground classic theme + echo = krill lp, plus the molecules & showbiz a bronx tale ep from last year, the d.i.t.c. affiliates continue to keep the buzz going surrounding their upcoming full-length album entitled three the bronx way. 1980 something and heard we quit are two certified bangers recorded at the infamous d.i.t.c. studios. the bronx trio and d.i.t.c. affiliates are back with two brand new tracks following the success of their lost tapes album, the re-release of the underground classic theme + echo = krill lp, plus the molecules & showbiz a bronx tale ep from last year. upcoming full-length album entitled three the bronx way

kim ann foxmans firehouse imprint storms into 2018 with an extra special re-release of the 1994 rave classic scott richmond and john selway aka psychedlic research lab, keep on climbin.the package features both original mixes alongside two outstanding remixes from deetron and kim ann foxman. mix 1 and mix 2 sound as glorious now as they did when they were released. mix 1, a bold, breakbeat construct, chopped vocal and emerging acid lines. mix 2 places four to the floor. it�s deeper with added percussion, soft chord stabs and an almighty breakdown to the drop. deetron makes his debut on firehouse with a tough, grinding version, underpinned by his signature, gnarling bassline sound. kim ann foxman incorporates acid lines to her revision. it builds intensely from start to finish, using angela johnsons iconic vocal loop to perfection.

the ultimate parov stelar collection on 180 gram double vinyl in gatefold sleeve with download code included.

new concept for 12records. title says it all. here are 4 emerging artists with their fresh and not forced idea of house music. keep it real, no pictures, no posers.

general manager remarks dear extinguished guests, i on behalf of all the staff in scream time action represents our warm welcomes and sincere thanks to your come! the service aim of scream time action is to satisfy your requests in an all round way. everything we do here is to make you receive the best time and have spirit enjoyment. record number 3 is about the lost world, adventurous. if you have any inconvenience or valuable suggestions, please tell any employee that you meet right away. if you have optimal feelings here tell your friends, we will express our acknowledgement and keep uniform first rate service quality. sincerely yours, tight pants

this time around, greta cottage workshop indulges in a favourite pastime. dubbed out 10� vinyl. flashback of time: a haunting dub techno peregrination . . . giving you that grind it out happening, with your nearest grubby basement/dub rig interface. big inside the ride. utopia & visions: more of a �sunday morning, yet i�m not in bed� experience - replete with laughing children, alien windstorms and dmt pixies chattering in your third earhole. waste a whole day with two copies and a crusty old mixer. specifically niche music for specifically niche people. keep smiling. rdma has been with gcw for time � yet this is a first time outing on record. worth the wait.

detroit producers omar s & brian kage team up to bring you thru the madness ep. thru the madness has all the elements of a classic dance music collaboration. the tune showcases omar s raw and funky analog bass playing and drum programming combined with brian kage signature warm melodic synth lines and chord structures. the clever use of a catchy 90�s vocal sample helps solidify and unify the composition. thru the madness (honk & nik mix) takes a deeper approach by adding a deep detroit-style dx pad, nile rodger-esque funk guitars parts, and vintage drum breaks that will keep the party moving into the late night hours. like dutch & dillon from predator, some times you gotta get thru the madness!

fresh for 2018 the ever pioneering octave one are bringing us some brand new music for the new year. using their much loved random noise generation alias the upcoming release entitled n2 the enfinate , contains a new single as well as a remake of rock my soul in the form of the reborn vocal remix . the first random noise generation release was falling in dub in 1991 and sounding just as fresh 27 years later,�n2 the enfinate� is due for release this march. for this single a retro energy has been explored in the title track the enfinate , running parallel to a more contemporary groove and rolling, marauding baseline. the second track on the package, rock my soul (reborn vocal remix) starts with a strong intent and a weighty bassline paving the way for precise and bright chord stabs. the single is taken from the new album endustry, a full body of work encompassing 7 full length cuts, set for release in spring. after touring and making music for decades the spirit and essential energy of the craft is what keeps them eternally inspired to keep creating and touring the globe. once it takes hold of you you cant stop even if you wanted to. say the brothers.

the complete output of a great but under-recorded soul singer. pressed on 180g white vinyl, with in-depth notes and rare photos on inner bag.

john daly is without a doubt one of the most influential artists of deep dub-house. the irish man s music has an unique and truly original trademark sound. with these two tracks he proves once again his exceptional quality and makes no secret about his influence, real chicago and detroit house in a fresh and timeless outfit with his special twist. already championed in sets by great djs such as laurent garnier and antal to name just a few.

from disco to disco: best-of des ghanaischen keyboarders und sängers auf 180 gramm doppel-vinyl. repress without the free mp3 dl card.

the canadian producer has built an impressive discography in recent years with a stream of quality releases via labels such as clone s royal oak imprint, spring theory, lone s magicwire and most recently his -hope you re well- ep on ninja tune s technicolour imprint. pitchfork were quick to acknowledge his unique production style and innate ability to balance the openness and experimental qualities of the back room and the hooks and sonics of the main room describing previous single is it dry? as -a rarity: peak-time techno that won t rot your brain or insult your intelligence, with appeal from the basement to the big leagues-. following recent excursions channeling the big room sound, he returns with a sleeker, more refined ep. -for this record i pushed myself to keep things more minimal than usual, in a relative sense.- he explains. -focusing on repetition in melody, rhythm and harmony, putting a lot of trust in my initial ideas and letting them play out. it was harder to stop than to add more.- the resulting five tracks span upbeat opener napoletana - -a rough and ready duet between a mfb 522 drum machine and juno 106-, through the swirling improvised piano loops of last day - recorded in an hour just before he packed up his gear at the studio of fellow montreal residents braids and moved it all home, to the bumpy 2-step of less and less .

soul clap kamen zum ersten mal mit nona hendryx durch ihre arbeit mit george clinton, sa�d the hourchild ali und chuck da fonk fishman zusammen. nona schrieb und sang die single �shine� von ihrem letzten album. diese erfahrung ließ alle mehr zusammenarbeiten, also haben soul clap mit morgan wiley von midnight magic zusammengetan und sind allesamt ins studio gegangen, um eine neues album für soul clap records zu produzieren, vier tracks von house, soul, jazz und natürlich the funk.

the tireless and titanic dance figure that is dj t. is next up on seth troxler�s essential play it say it label. dj t. has done it all in his long and storied career, from setting up one of the most influential labels in get physical to founding groove magazine via opening the monza club and, of course, serving up always inventive eps and lps on the best labels of the day. his sound has evolved through many house, disco and tech styles and has kept him an in-demand dj for more than 25 years. these new missives are yet more proof that few know how to work the floor as well as dj t. the perfectly menacing keep it close kicks things off with a dark, snaking bassline underpinning freaky synth stabs. the pressure builds throughout and will have the crowd locked in before it pulls back and builds again with a masterful grasp of mood. hitting much harder is the excellent the day it all started, a more physical house track with solid kicks is designed for maximum impact in the club. tumbling bass and gurgling synth riffs flesh this one out and ensure it is a real piece of dynamite. last of all is the retro-tinged 1988, with its tightly programmed drums, slick claps and spraying acid line. its a wild track to get the freaks out of the shadows and on to the �floor. this is a fresh ep that offers three very different but equally effective club tracks that are sure to blow up in the coming months

australia�s what so not is pleased to announce his long awaited debut album not all the beautiful things, featuring frequent collaborator skrillex, legendary rock legends toto, as well as san holo, slumberjack to name only a few. over three years in the making, not all the beautiful things is about transformation and metamorphosis, a culmination of everything the australian-born artist has been working towards as he�s built his reputation as one of the most innovative producers in the game, garnering over 455 million combined streams in the process. more than an album, it�s a fully realized artistic statement in which what so not is in full control of every aspect, from the stage design and visuals to the music videos and merchandise. �i didn�t want to put anything out that doesn�t cohesively match the essence of the songs,� explains the man behind it all.

have patience as you journey through these four meditational tracks while you keep an eye on the horizon and what s to come. dont be afraid, take your time, walk slowly and don t run.

after their stunning debut on art, electro purveyors london modular alliance return as they keep up their unstoppable momentum on the contemporary electronic scene. with a slew of high profile live shows behind and in front of them - lma go from strength to strength as evidenced by this 5 track ep spanning deep, emotive ambience all the way to heavy wobble electro bass. unmissable!!

the identity of belgian mystery man beton is a complete mystery to us. what we do know is that twin turbo owner/assistant webmaster tiga has called this record the best release of the past five years. even when you consider that tiga believes he experiences time differently from the rest of us, that still means the soundtrack of your life for the past half-decade has been straight-up garbage in comparison. since most djs wont even listen to a record if they dont like the track descriptions, we realize a lot is riding on the next paragraph. acid-electro bomb directions is a collaboration with wevie stonder, who call themselves an absurdist electronic music collective, which youd have to agree sounds like a lot of fun. meanwhile, keep breathin completely redefines the term pump-bumpin pumper, and features vocals from dance mania ghetto house legend dj deeon. twin turbo keeps puttin hot mp3s in your pocket, offering maximum value for your hard-won digital nickels. as far as we know, youve earned it.

what starts out as a lavish train ride through europe quickly unfolds into one of the most stylish, suspenseful and thrilling mysteries ever told. from the novel by best-selling author agatha christie, murder on the orient express tells the tale of thirteen strangers stranded on a train, where everyone s a suspect.
one man must race against time to solve the puzzle before the murderer strikes again. kenneth branagh directs and leads an all-star cast including penélope cruz, willem dafoe, judi dench, johnny depp, michelle pfeiffer, daisy ridley and josh gad.
the score is composed by multiple award winner patrick doyle. (donnie brasco, thor, harry potter and the goblet of fire)
the 2 lp set of murder on the orient express is pressed on blue 180 gram vinyl. this limited edition of 750 individually numbered copies contains a 6-panel booklet with exclusive pictures and liner notes on one side and a poster, the image of the train, on the other side. look out for secret inscriptions in the run-out groove, clues are everywhere�

possession records proudly present the new album by soft riot, entitled -the outsider in the mirrors-. soft riot is the stylised musical alter-ego of jjd, canadian by birth and an ex-resident of london and sheffield, now based in glasgow (so not unfamiliar with sites of post-industrial decay!). with over twenty years of playing in various post-punk and synth-punk bands, he has been crafting the sound of soft riot since the early turn of the decade, releasing a slew of albums across a multitude of labels and touring obsessively around europe and beyond. with -the outsider in the mirrors-, his sixth full-length, he has found a new home for his sound on possession records, a fledgling glasgow imprint founded by jjd, claudia nova (aka hausfrau) and andy brown (ubre blanca). their aim is to bring together their pool of musical talents and provide a more permanent home for their future creative endeavours, whether it be music, video or otherwise and to experiment with what it is to be a -label- in the ever evolving 21st century. future projects and releases will see them getting a select group of their peers and friends involved in possession s focused vision, locally or from further afield.

for fans of metrolux, russian torrent versions, delsin, black venison. this 4 track ep has artists with decades of experience that packs a punch of contemporary techno and has plenty of different textures to build any set. owen-jay, half of revered label/artist gauss ltd. (battibatti, metrolux, uq) launches with a tough, raw hypnotic driver of crushed filter distorted patterns. next molegrip, collab between brian james (battibatti, metrolux) and caspian rabone (polaris, battibatti) keep the groove with classic techno and dub atmospherics. on the flip sees unknown artist cmnt deliver some arpeggiated lazyness before cyan341 (rednetic, uncharted audio) polishes off the ep with a tight beat supported with an elegant ambient foundation.

the berlin-based citylow label has been releasing quality house and techno for some time now. born from a mix of musical influences from the metropolitan suburban life, the label is characterized by vintage, analogue sounds, modular systems and the many other influences of label manager alfredo trastulli aka f.t.g. the heart of the label is citylow humans crew, a movement of underground artists around the world who day-after-day match their story with an underground music philosophy.

mit ihrem sechsten studioalbum »through the walls«, welches vier jahre nach dem hochgelobten »dreams« erscheint, haben whomadewho eine hell leuchtende klangodyssee geschaffen. co-produziert vom kopenhagener dance duo kenton slash demon zeugt das neue whomadewho-album von der gleichen musikalischen umtriebigkeit, die damals die drei mitglieder jeppe kjellberg, tomas barfod und tomas høffding zusammenbrachte und die sie für den im januar 2018 erscheinenden longplayer wieder neue kreative wege im songwriting und in der produktion nehmen ließ.»through the walls« ist wahrscheinlich whomadewhos gewagtestes und zugleich stimmigstes album ihrer bisherigen karriere.

balance recording is happy to introduce you to the presencs ok kiko navvaro. this album cut out ep that has been getting great play by the like of kerri chandler and chez damier. i can show you the way, is a very strong track and .a floor filler, while tracks like -black is black- is also getting strong dance floor feed back, while the track -everything happens for a reason, is becoming a house and techno anthem at some festival this past summer. this project is surely for those who like great music and want to keep their house music collection alive.

we are extremely happy to welcome malouane to our roster for this third release. the atmosphere of malouane is unique: raw, melodic and full of details with charm. -long way for the homies- will recall artists like mcde or rick wade, quite in the same vein: jazzy, soul and house. the second, -keep yo mama clean- very catchy too: drums, beautiful basses and small samples interact with each other. these elements work perfectly, because malouane has a real sense of musical arrangement, a real mastery of sampling. -this is supposed to be an outro- is the last track of the original tracks: it is a little slower than the others but a great wealth: a real charm and a true personality emerges from this piece. the multitude of details and, again, the mastery of the sample make it a piece as much club as listening. cody currie has proposed his own vision. the young english producer made a great remix by putting his style and clement�s together. finally, times are ruff also offers their reinterpretation of keep yo mama clean: softer and quite faithful to the atmosphere of this ep, with a small taste of chaos in the cbd, the dutch have done a remarkable job.

the killers� 2nd album, originally released in 2006, now back on vinyl.

riva starr & green velvet - keep pushin (harder) is the latest release on snatch! records.

italian producer pearl river sound has been crafting his unique blend of experimental electronics and banging acid for the last couple of years. on his debut tape for new york haunted he drops 4 red hot tracks that will make your ears pop. dancefloor acid with enough twists to keep you awake in the middle of the night...

exzellenter sampler mit 16 superben soul/r&b-raritäten, deren gesamter sammlerwert heutzutage bei über 6.000 us-dollar liegt. the nightriders mit ihrer perle -lookin for my baby- (1959, sue records) macht alleine fast die hälfte davon aus. ferner dabei: paul perryman, vernon harrell, earl king, mike robinson, u.v.a. eine wahre schatzgrube!

18 extended tracks legendärer disco-hits auf 180 gramm vinyl! enthalten sind original extended 12� mixes von den jacksons, mcfadden & whitehead, boney m., earth, wind & fire und vielen mehr.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. in his quest for a unique sound, he constantly reinvented himself, creating projects with new aliases and concepts, scraping together studio time, and hustling. even today, moores music sounds ahead of its time.

brilliant disco classics

nice price deal !!! indigenous electronic s is a recently launched vinyl only label, seeking to showcase a combination of both known and undiscovered talent. the label s first release is a 4 track ep, by siamak amidi, the creative director of analog room in dubai, as well as a producer, dj and volt music label boss. the ep showcases amidi s experience with the confluence of both analog and digital synthesis. the a side presenting newer material with the b side some of his older unreleased works. -unconditional love- a stripped down affair, deep, dynamic and ethereal without ever losing the focus on the groove with it s tight production. -retro floor vison aspect- takes us further into trippier post 5am territory, also stripped yet with enough going on to keep the senses tantalized, the standout hook to the bassline, swirling micro electronics with a variated jacking high hat, tried and tested. siamak s -tool- is a deep techy driving affair, with light haunting pads above and throughout track with original use of effects on the high end percussion. -you think you know it- is a rolling percussive track that comfortably rides the boundary between house and techno, with well defined low end and sweeping synth pads that once again show s amidi s abilities in the mix down to not swamp the track or dilute the groove. an ep for the dj s dj.

director�s cut reissue - shed�s ever elevating techno experience (w/ download code)

the haggis horns are a funk-fuelled powerhouse that rock audiences the world over, they rip up the dancefloor with the virtuosity of trained jazz musicians combining heavy breakbeat funk, soul, hip-hop and afrobeat. the group has thousands of gigs under their belt and have played with household names such as mark ronson, jamiroquai, martha reeves & the vandellas, amy winehouse, john legend & the roots and the brand new heavies.
after the success of hot damn!, keep on moving and what comes to mind their next album shows the boys blasting out their unique brand of dance floor funk with regular collaborators lucinda slim and john mccallum on tracks ranging from up beat breaks to down tempo slinkyness. also on the album is rapper doc brown who helps create a distinctive hip-hop feel that runs through their latest studio offering.

the underdogg is the title of dj tre�s debut ep for hyperdub. he had two brilliant tracks featured on our dj rashad tribute compilation next life, but compared to other longterm members of the teklife footwork crew, he hasn�t released much, so we�re very happy to bring him out to play again here. tre has been about since the early days, born and raised on the south side of chicago. encouraged by the late dj rashad and his partner dj spinn, he has been making tracks since 1999, over a decade before footwork�s ascent to global popularity. on this ep his sound, for the most part is rooted in the speedy 4/4 of juke. it features a sparse and minimalist take on footwork but he�s got a knack of adding in tight little switches and details that keep the tracks moving as essential dance floor weapons.

van morrison verliert keine zeit. nicht einmal ein jahr nach seinem 36. album »keep me singing« veröffentlicht der nordirische musiker 2017 bereits einen neuen longplayer: hier ist »roll with the punches«.
insgesamt 15 titel warten auf der platte, darunter fünf neue van-morrison-originale und eine persönliche auswahl an r�n�b- und bluesklassikern, darunter stücke von bo diddley, mose allison, sister rosetta tharpe und lightnin� hopkins.
einen ersten vorgeschmack auf die platte gab es bereits mit der single »bring it on home to me«, die im original von sam cooke stammt.
für die aufnahme und produktion des neuen albums arbeitete van morrison mit einigen hochkarätigen kollegen zusammen, darunter paul jones, jeff beck, jason rebello und chris farlowe.